I really
enjoyed “Yours”. At first I didn’t understand it, but I read it through a few
more times and eventually I took it as an exploration of aging and death. The
most obvious motif that led me to this conclusion was the autumnal setting-
leaves covering the ground, and trees standing bare like skeletons- but there
are many more besides this. Spouses Allison and Clark are described as being “both
quite tall” and “something alike in their facial features”. However, they are separated
in age by forty-three years. To me, Allison symbolizes youth, naivety, and
vigor. Besides the fact that she is the younger one of the couple, she spends her
afternoons volunteering with children and seems to have a glimpse into their
minds, which is evident when she warns Clark not to make his jack-o’-lanterns
too surreal because they’re for kids. Clark, on the other hand, symbolizes old
age and experience. He leads a slower life and spends a lot of time sitting in
his glider rocker, and when he does move, it is carefully and languorously.
Clark’s wisdom is evident when he says towards the end of the story that he
wants to speak to his wife “from the greater perspective he [has]”, most likely
due to his vantage point on the path of life. It is also evident in the
pumpkins he carves, which are “expressive and artful”, and made with great
skill and artistic command. Allison’s pumpkins are “less deftly drawn” and more
crudely crafted, symbolic of her lack of life experience compared to her
husband.
The way in
which Allison sets up the finished jack-o’-lanterns on the porch railing- “[taking]
a while to get each candle settled, and then to line up the results in a row”
and then lighting the candles and “[fixing] the pumpkin lids over the little
flames”- seemed very gentle and almost motherly to me. The faces carved into
the living things give them a human persona, and the way she fixes them is
almost like she’s tucking children into bed. This, plus her characterization as
I mentioned it above, and the fact that Halloween is mostly for kids but Allison
and Clark prepare for it anyway, seemed to communicate that Allison longs to be
a mother. No offspring of Allison and Clark are mentioned. Maybe they weren’t
able to have children because of Allison’s illness, or her illness in
combination with Clark’s age.
As his wife
lie dying, Clark wants “to get drunk with his wife once more”, tell her “that
to own only a little talent, like his, [is] an awful, plaguing thing; that
being only a little special [means] you [expect] too much, most of the time,
and [like] yourself too little”, and assure her “she [has] missed nothing”. I
interpreted these sentiments as a kind of bitterness that he is losing what had
for so long brought youthfulness back to his life, as well as his way of giving
her peace of mind by telling her she won’t be missing out on much, because
being wise, talented, and special isn’t all it’s cracked up to be. This might
also be Clark’s way of expressing grief, and of dealing with the somber idea of
his much younger wife dying before him and leaving him alone in the world.
I never noticed that the Autumnal season could have been an extended metaphor for their withering age and debilitating health. Especially with the skeletons and the overall frigidity of autumn. Interesting point.
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